In the series, the dialogue between word and image takes on material form, reinforcing the intertwining of the languages of painting and literature. Writing, a central part of the creative process, is incorporated into the works in distinct ways: sometimes handwritten with pens on the back of the canvas, other times integrated into objects such as books or fictional newspapers that become extensions of the narrative. Here, the written word does not remain abstract; it inhabits the work, merging with its visual and conceptual texture.